Jack Chambers’ mixed media paintings from the 1960s and 1970s: Painting technique and condition was written by Helwig, Kate;Thibeault, Marie-Eve;Poulin, Jennifer. And the article was included in Studies in Conservation in 2013.Application of 106-79-6 This article mentions the following:
This study describes the examination and anal. of four mixed media paintings from the 1960s and 1970s by Canadian artist Jack Chambers (1931-1978). The documentary evidence about his materials and methods is summarized and compared with the results of anal. of multilayer paint samples. The combination of Fourier transform IR spectroscopy (FTIR) and gas chromatog.-mass spectrometry (GC-MS) allowed the components of the paint media to be characterized: ortho-phthalate alkyd resins, iso-phthalate alkyd resins, drying oils, dammar, Pinaceae resin, and turpentine were identified in varying proportions. Many pigments and fillers were identified by FTIR and Raman and are enumerated. The effect that Chambers’ complex technique has had on the aging and degradation of the paintings is discussed. The severe cracking of the paint layers in one of the four paintings may be the result of a high proportion of dammar and turpentine diluent mixed with the alkyd paint and may also be related to the type of alkyd resin medium. Different history and environmental conditions may also be factors. In the experiment, the researchers used many compounds, for example, Dimethyl decanedioate (cas: 106-79-6Application of 106-79-6).
Dimethyl decanedioate (cas: 106-79-6) belongs to esters. Esters typically have a pleasant smell; those of low molecular weight are commonly used as fragrances and are found in essential oils and pheromones. Cyclic esters are called lactones, regardless of whether they are derived from an organic or inorganic acid. One example of an organic lactone is γ-valerolactone.Application of 106-79-6
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